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Filmsound daily

jan ’08

The score for “Blood”, composed by Radiohead’s Jonny Greenwood, was handled somewhat in the same vein.
MICHAEL SEMANICK: Jonny gives music editor Paul Rabjohns his stuff and then he’ll take this part and move it here. Then he might trim the pitch or change a cue altogether. They send him a palette of stuff and it’s “Oh that’s great! And parts of this are great; what if I put these two things together and this together…” etc. The tone is set and P.T. pretty much guides it all the way; Lets you run with it and then pulls you back in.